Pauline Boudry and Renate Lorenz have been working together in Berlin since 2007. They produce installations that choreograph the tension between visibility and opacity. Their films capture performances in front of the camera, often starting with a song, a picture, a film or a score from the near past. They upset normative historical narratives and conventions of spectatorship, as figures and actions across time are staged, layered and re-imagined. Their performers are choreographers, artists and musicians, with whom they are having a long-term conversation about the conditions of performance, the violent history of visibility, the pathologization of bodies, but also about companionship, glamour and resistance.

 

  • Pauline Boudry/Renate Lorenz have recently shown their work at Philadelphia Museum of Art, MUAC, Mexico City, the 35th São Paulo...

    Pauline Boudry/Renate Lorenz have recently shown their work at Philadelphia Museum of Art, MUAC, Mexico City, the 35th São Paulo Art Biennal, Crystal Palace/Reina Sofia Museum Madrid, Seoul Mediacity Biennale, Whitechapel Gallery London, the Hammer Museum Los Angeles, Centre Pompidou Paris, Seoul Museum of Art, Van Abbemuseum Eindhoven, New Museum New York, Julia Stoschek Collection Berlin or 58th Biennale di Venezia (Swiss Pavillon).

     

     Their work is found in the collections of  Centre Pompidou Paris, Tate Modern London, Van Abbe Museum Eindhoven, GAM/Rivoli Torino, NGV Museum Melbourne, Reina Sofia Museum Madrid, Kadist Foundation, Frac Lorraine, Kunsthaus Zürich, NBK Berlin, Warsaw Museum, MCBA Lausanne, Frac Toulouse, Walker Art Gallery Liverpool, Nouveau Musée Monaco, Bundes Sammlung Deutschland, Frac Bretagne, Louisiana Museum Dennmark, Lodz Museum, CA2M Madrid, and Philadelphia Museum of Art, among others. 

     

    Their work has been written about by writers and critics including Elisabeth Lebovici, Andre Lepecki, Mason Leaver-Yap, Elisabeth Lebovici, Övül Ö. Durmusoglu, Gregg Bordowitz, Antke Engel, Nana Adusei-Poku, Mathias Danbolt, Ellen Feiss or Laura Guy. Their most recent catalogue "Stages" (2022) was published by Spector Books, "Moving Backwards" (2019) was published by Skira, "Telepathic Improvisation" (2018) was published by the Contemporary Arts Museum Houston, "I Want" was published by Sternberg Press (2016), "Aftershow" was published by Sternberg Press (2014).