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Pauline Boudry / Renate Lorenz

Pauline Boudry / Renate Lorenz

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Open a larger version of the following image in a popup: Pauline Boudry / Renate Lorenz, El Cristal en Mi Piel (Glass is My Skin) , 2025
Open a larger version of the following image in a popup: Pauline Boudry / Renate Lorenz, El Cristal en Mi Piel (Glass is My Skin) , 2025
Open a larger version of the following image in a popup: Pauline Boudry / Renate Lorenz, El Cristal en Mi Piel (Glass is My Skin) , 2025
Open a larger version of the following image in a popup: Pauline Boudry / Renate Lorenz, El Cristal en Mi Piel (Glass is My Skin) , 2025
Open a larger version of the following image in a popup: Pauline Boudry / Renate Lorenz, El Cristal en Mi Piel (Glass is My Skin) , 2025

Pauline Boudry / Renate Lorenz

El Cristal en Mi Piel (Glass is My Skin) , 2025
Film installation with HD, projected on glass and smoke machines, 12 min,
Variable dimensions
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Further images

  • (View a larger image of thumbnail 1 ) Pauline Boudry / Renate Lorenz, Charming for the Revolution, 2009
  • (View a larger image of thumbnail 2 ) Pauline Boudry / Renate Lorenz, Charming for the Revolution, 2009
  • (View a larger image of thumbnail 3 ) Pauline Boudry / Renate Lorenz, Charming for the Revolution, 2009
  • (View a larger image of thumbnail 4 ) Pauline Boudry / Renate Lorenz, Charming for the Revolution, 2009
  • (View a larger image of thumbnail 5 ) Pauline Boudry / Renate Lorenz, Charming for the Revolution, 2009
In this installation, the famous Palacio Cristal in Madrid is reimagined as a ghost, with a skin made of glass. Aérea Negrot lends the palace her voice, reminding us how...
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In this installation, the famous Palacio Cristal in Madrid is reimagined as a ghost, with a skin made of glass. Aérea Negrot lends the palace her voice, reminding us how the building's colonial history haunts its non/human visitors even today.
The Cristal Palace was built for the 1887 General Exposition of the Philippines to showcase the life and culture of the inhabitants of the Philippines, a Spanish colony from the 16th century until the late 19th century. The artists' recurring allies—mirroring stages and dense smoke—create a dialog between visibility and opacity to challenge the modern idea of excessive transparency as a violent technology of the gaze.

 
What if the palace as ghost uses smoke to keep our gaze at a distance?

Director of Photography: Bernadette Paassen
Sound: Johanna Wienert
Costume: Sinpatron.
Jewelry: House of Malakai
Make-up: Nuria de Lario
Programming: Sven Gareis, Telematique
Sound Design: Rashad Becker
Color Grading: Waveline
Music: Aérea Negrot & Royal Dust.

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